In a world where headlines are often dominated by controversy and chaos, some moments quietly restore pride. One such moment came when Alia Bhatt graced the stage at the 2026 British Academy Film Awards.

Dressed in a shimmering silver Gucci gown, she made history as only the third Bollywood actor to attend after Priyanka Chopra Jonas and Deepika Padukone.

But it wasn’t just the glamour that stood out — it was her words.

Presenting the award for Best Film in a Non-English Language, Alia began with a confident “Namaskar” and continued in Hindi: “Agla award ek aise film ke liye hai jo angrezi mein nahi hai… Don’t switch to the subtitles yet.”

Our culture does not need translation to be relevant. Our language does not need approval to be powerful. It begins with a simple — Namaskar.

With the release of Dhurandhar: The Revenge on 19th March, the moment of truth is finally here. As one of the most highly anticipated sequels in Bollywood history, the verdict is out—so let’s find out what fans have to say…

In just the first 30 minutes, Ranveer Singh shows such insane range that honestly, just give the man a National Award already.

Yes, people will jump into the comments saying it’s propaganda, that the narrative is one-sided… but let’s be real—it’s entertaining. The impact of those first 30 minutes carries the entire film effortlessly.

That said, there is a catch. The expectations after the first part were sky-high. It’s like when Virat Kohli scores 60–70 now—it just doesn’t hit the same because we expect a century every time.

The film begins with Ranveer’s younger days as Jaskirat Singh Rangi, giving us a glimpse into how Hamza became so mentally tough and ruthless. The detailing is sharp, the background score hits hard, and the setup is engaging.

Without giving spoilers—let’s just say the climax goes full-blown cinematic madness with explosive sequences that scream scale and ambition.

Talking about Uzair Baloch aka Danish Pandor—limited screen time, but he absolutely dominates when he appears. One scene is enough to leave a mark.

The supporting cast—Sanjay Dutt, Arjun Rampal, R. Madhavan, Manav Gohil, and Survinder Vicky—all deliver solid performances and hold their ground. Special mention to Rakesh Bedi, who adds a unique charm.

However, if we’re being honest—the music doesn’t quite match up to the first part. The songs are good, but that unforgettable vibe from Part 1 feels slightly missing.

There are also minor technical glitches—like delayed gunshot sounds and occasional lip-sync issues—but they barely matter when Ranveer, with full swag, is owning the screen. His presence overshadows almost everything else.

At this point, you’ve probably already seen half the film on Instagram, and if not—avoid spoilers and experience it yourself.

Final Verdict:
A high-energy, massy entertainer that rides heavily on Ranveer Singh’s performance. Despite a few flaws and massive expectations, Dhurandhar delivers.

⭐ 4/5 Stars

Akshay Kumar’s Bhoot Bangla is locked for April 10, 2026, marking his much-hyped reunion with director Priyadarshan.

Akshay Kumar’s Bhoot Bangla is locked for theatrical release on April 10, 2026, marking his much-hyped reunion with director Priyadarshan after 14 years since Bhool Bhulaiyaa. This horror-comedy promises spooky thrills in a haunted mansion, blending scares with laughter through Akshay’s comic timing alongside Paresh Rawal, Rajpal Yadav, and Tabu. Early teasers evoke Bhool Bhulaiyaa vibes, with stunning visuals praised as “India’s most beautifully shot horror film” by Paresh Rawal. But as buzz builds, the burning question remains: Will this be the hit that halts Akshay’s troubling run of box-office disappointments?

Post-COVID, Akshay has faced a rough patch. Of his last 14 theatrical releases, only two have succeeded, with eight outright flops. Films like Bell Bottom (2021), Samrat Prithviraj (2022, ₹68 crore on ₹150 crore budget), Raksha Bandhan (₹44 crore), Ram Setu (₹72 crore), Selfiee (₹17 crore), Bade Miyan Chote Miyan (2024), Sarfira, and Khel Khel Mein all underperformed despite high expectations. Even 2025’s Sky Force (₹130 crore) and Kesari Chapter 2 ended as losses. Critics point to oversaturation, mismatched scripts, and audience fatigue from rapid releases as culprits.

Bhoot Bangla arrives at a pivot point. Priyadarshan’s track record with Akshay – hits like Hera Pheri, Garam Masala, and Bhool Bhulaiyaa – offers hope. The genre mix of horror-comedy has proven gold (Stree 2, Munjya), and Akshay’s devotional song “Ram Ji” has sparked viral debates on whether it’s a lucky charm. Trade experts see potential in its family appeal and Priyadarshan’s visual flair, but Akshay must deliver a banger amid competition from Housefull 5, Jolly LLB 3, and Welcome to the Jungle.

Is this the turnaround? Bhoot Bangla could revive the Khiladi’s streak if it nails the laughs and chills. Otherwise, it risks extending the narrative of flops. Fans, get ready – April 10 could redefine Akshay’s 2026

The 98th Academy Awards, presented by the Academy of Motion Picture Arts and Sciences, took place on March 15, 2026, at the iconic Dolby Theatre in Los Angeles.

Host Conan O’Brien kicked off the evening with a humorous skit followed by his opening monologue, highlighting how the Oscars feel “particularly resonant” in times of global turmoil. He also noted that films from 31 countries across six continents were represented this year. O’Brien didn’t shy away from some light roasting either, taking a playful jab at Timothée Chalamet over the backlash he received for his comments about the relevance of ballet and opera earlier this year.

A nostalgic moment arrived when Anne Hathaway took the stage alongside Anna Wintour, the Global Editorial Director of Vogue. The duo made a cheeky callback to the beloved film The Devil Wears Prada while teasing excitement around its upcoming sequel slated for release this May.

Representing India on stage, Priyanka Chopra Jonas presented the award for Best International Feature Film alongside Javier Bardem, who drew significant attention with a powerful statement during the ceremony: “No to war, free Palestine.” However, the evening proved somewhat disappointing for Indian audiences.

Legendary actor Dharmendra was notably absent from the In Memoriam segment. Meanwhile, Indian-American filmmaker Geeta Gandbhir, who had two nominations, went home empty-handed. Her projects The Devil Is Busy (Best Documentary Short) and The Perfect Neighbor (Best Documentary Feature) were both nominated but did not secure wins.

Michael B. Jordan won Best Actor for Sinners. Jessie Buckley took home Best Actress for Hamnet. Paul Thomas Anderson won Best Director for One Battle After Another. Sean Penn received Best Supporting Actor for the same film. And the night’s biggest honour — Best Picture — went to One Battle After Another.

Unfortunately, Timothée Chalamet and Leonardo Dicaprio even though had wowed the audiences with their stellar performances, went home empty handed last night. From sharp humour and political statements to big cinematic wins, the 2026 Oscars delivered a night filled with memorable moments and conversations that went far beyond the red carpet.

Actor Aditya Uppal recently visited the MYFM office, giving us a glimpse into his journey, struggles, and experiences in the film industry. In a candid conversation, he spoke about his unconventional path to acting, the people who shaped his journey, and memorable moments from his latest film Dhurandhar.

Before stepping into the world of films, Aditya Uppal was working in advertising while simultaneously pursuing theatre on the side. Acting wasn’t an overnight decision—it was a passion he nurtured quietly alongside a stable career. Over time, that passion took center stage, pushing him to take the leap into full-time acting.

His early acting credits include Omerta (2017), where he got a taste of the big screen, along with performances at the Kingdom of Dreams, which helped him refine his craft and stage presence.

Behind every actor’s journey is a strong support system, and for Aditya, family played a crucial role. He credits his mother for always encouraging him to follow his passion, even when the path seemed uncertain.

He also spoke fondly of his mother-in-law, who stood by him during his struggling days—offering emotional support when he needed it the most.

Talking about Dhurandhar, Aditya had nothing but praise for his co-stars, describing the experience as both enriching and memorable.

He called Sanjay Dutt a “magical man” on set—not just for his presence, but also for his warmth. According to Aditya, Dutt is a complete foodie who loves including everyone, creating a sense of camaraderie among the cast and crew.

Akshaye Khanna, he shared, was incredibly welcoming and never made him feel like a newcomer, something that meant a lot during the early days of filming.

Ranveer Singh, known for his energy, would often stay back on set even during scenes he wasn’t a part of—an act that reflected his dedication and support for fellow actors.

Arjun Rampal left a strong impression on Aditya with his discipline and preparation. Not only did he remember his own lines, but he was also aware of other actors’ dialogues, showcasing his commitment to the craft.

Speaking about Sara, Aditya described her as emotionally mature and a thorough professional—qualities that stood out during their time working together.

One of the most vivid memories Aditya shared was from a shoot in Amritsar, where temperatures dropped to -2°C. Despite the harsh weather, the team powered through, relying on heat pads to stay warm between takes.

Interestingly, Aditya revealed that Dhurandhar was shot as a single film and not in two parts—highlighting the cohesive vision behind the project.

 

Aditya Uppal’s journey is a testament to persistence, passion, and the importance of having the right people by your side. From balancing advertising and theatre to sharing screen space with some of the industry’s biggest names, his story is both inspiring and relatable—a reminder that dreams are worth chasing, no matter where you start.

When asked about the origin of Bhoot Bangla, director Priyadarshan revealed that the idea was first pitched by producer Ekta Kapoor. It instantly caught the attention of Akshay Kumar, and what followed was constant reworking to strike the perfect balance between horror and comedy.

Adding a spooky twist, Akshay recalled a real-life incident at Madh Island involving a “haunted” bungalow—only to later discover that the caretaker had staged the ghostly acts to prevent the property from being sold.

On set, Akshay’s prankster side was in full swing. Actress Wamiqa Gabbi had a shocking first experience with a harness when Akshay cheekily pushed her mid-shot!

Talking about comedy, Akshay reflected on different styles of humor and highlighted the legacy of Hera Pheri, calling it one of the first Indian comedies to gain popularity overseas.

Priyadarshan, known for his spontaneous filmmaking style, emphasized his love for improvisation, while Akshay spoke passionately about the unmatched magic of watching films in theatres versus at home.

In a nostalgic moment, Akshay shared his desire to return to the simplicity of the ’80s and ’90s—an era where actors performed their own stunts, without reliance on VFX or AI. Priyadarshan added that while AI was used in Bhoot Bangla, it remains a tool that ultimately depends on the creator’s vision.

The film also features powerhouse performers like Paresh Rawal, Tabu, Arjun Rampal, Jisshu Sengupta, and the legendary Asrani.

 In a deeply emotional revelation, Priyadarshan shared that Asrani ji’s final shot for the film was completed just two days before his passing—making it a moment that will stay with the team forever.

When there was no hero in the world, there was ‘Ram’: The grand beginning of Ranbir Kapoor starrer ‘Ramayana’; the first glimpse wins fans’ hearts!

Namit Malhotra’s Ramayana, directed by Nitesh Tiwari, is a two-part cinematic franchise that has now unveiled its first look of Ram, with Ranbir Kapoor seen portraying the iconic role.

 

Produced by Prime Focus Studios, the film is being made in collaboration with eight-time Academy Award-winning production and visual effects studio DNEG and Yash’s Monster Mind Creations.

 

*April 2, 2026:* Ramayana has now presented its most significant chapter yet.

Namit Malhotra, the producer, filmmaker, and creative architect behind one of the world’s most ambitious cinematic projects, introduced ‘Ram’ through a special teaser. One of the most timeless characters in storytelling has now been brought to life for global audiences, offering them their first glimpse of Ranbir Kapoor as Ram.

*A global moment:* Released simultaneously worldwide with equal excitement, the ‘Ram’ teaser marks a major moment for audiences across the globe. It brings forward a character whose story has been told for over 5,000 years. For those who grew up listening to this tale, it offers a fresh perspective, while for others, it serves as a grand introduction to this legendary story.

 

*A hero defined by his choices:* Ram is a hero rarely seen in today’s world—a figure who places duty above personal desires. Someone who has the courage to renounce power to do what is right. He does what is necessary, even if it means risking everything. Known as Maryada Purushottam—the highest ideal of human conduct—Ram stands as a living example of honor, compassion, and moral clarity, whether facing exile, personal loss, or injustice. These qualities make him eternally unforgettable in Ramayana.

 

*Nitesh Tiwari, Director of *Ramayana (2-part franchise):**
“The greatness of Ramayana lies in the depth of its emotions. At its core, it is not just about the battle between good and evil, but about our choices, their consequences, and the responsibility to do what is right. Ram’s journey is deeply human, and we have tried to portray that with honesty.”

 

*Ranbir Kapoor on playing Ram:*
“I don’t think I’m here to present Ram; I’m here to learn from him. There is a simplicity and purity in him that is rarely seen. Trying to understand and imbibe that has been an incredibly humbling experience for me.”

 

*Namit Malhotra, Producer, Filmmaker, and Creative Architect of *Ramayana:**
“The strength of Ram’s story lies not in what he won, but in what he chose to sacrifice. He sets a benchmark that is neither easy nor convenient, but necessary. He chooses duty over desire, truth over comfort, and sacrifice over self. That is why his story has endured for thousands of years and remains just as relevant today.”
 

With a laugh, Amaal cleared the air. During a challenging phase in his career, a numerologist suggested adding an extra “A” and “L” to his name for better fortune. Skeptical but willing, he made the change—and interestingly, things began to turn around. However, he was quick to add that while luck may play a role, nothing replaces hard work and persistence.

 

The conversation then shifted to the evolving landscape of Bollywood music, especially the ongoing debate around remakes. Amaal revealed that back in 2019, he made a conscious decision—he would only create original music for films, steering clear of remakes.

 

That said, he did acknowledge one exception. In his view, Shashwat Sachdev has managed to truly do justice to recreated tracks. In fact, Amaal didn’t hold back in his praise, calling him the “A.R. Rahman of our generation,” a nod to the legendary A. R. Rahman.

 

He especially applauded Shashwat’s work on Dhurandhar, highlighting how the soundtrack beautifully blends nostalgia with freshness—featuring timeless classics alongside original compositions. Amaal also appreciated his effort in spotlighting new-age artists like Hanumankind and Reble, bringing diverse sounds to the forefront.

 

Wrapping up on a note of gratitude, Amaal reflected on his journey with humility. He expressed deep appreciation for the opportunities he’s received and emphasized his commitment to continuing what he does best—creating meaningful, high-quality music.

Talking to MYFM ,the man of the moment, Rakesh Bedi, took us through an incredible journey spanning theatre, television, and films over five decades.

Speaking about the comparisons between Dhurandhar and the iconic Sholay, Bedi expressed heartfelt gratitude, calling Dhurandhar not just a film but a phenomenon—highlighting how audiences are flocking to theatres even during early morning shows, a rarity in today’s time.

 

As he celebrates 50 years in the performing arts, Bedi shared how audiences are rediscovering his earlier work. He credited this renewed appreciation to his honesty and dedication, emphasizing that he has always performed every role—big or small—with sincerity.

 

Recalling his experience during Uri: The Surgical Strike, he mentioned how director Aditya Dhar was deeply grateful to him for joining the project despite it lacking industry backing at the time. Dhar had told him that “something big” was destined to come his way—and it certainly did.

 

Talking about his co-actors, Bedi highlighted the contrasting personalities of Akshaye Khanna and Ranveer Singh—describing Khanna as someone who keeps to himself, while Ranveer thrives on collaboration and involves everyone in his creative process.

 

The conversation also touched upon his remarkable versatility, especially his iconic play Massage, where he portrays 24 different characters. He fondly recalled inviting Mahesh Bhatt to watch it for the first time, who praised it by saying the play would remain “as fresh as the morning breeze.”

 

On being asked which of his characters might have gone viral in today’s social media age, Bedi reflected on how the industry has evolved—from an era where only heroes got recognition to today’s OTT-driven landscape, where every character finds its spotlight.

 

He also extended his support to MYFM, proudly calling it the true “RADIO KA DHURANDHAR.”

At a recent awards show, host Saurabh Dwivedi made a controversial remark aimed at actor Rajpal Yadav, reigniting conversations around sensitivity in public forums. The joke referenced Yadav’s past cheque bounce case and financial struggles, including a reported ₹9 crore debt. A comment about the “dollar rate going up or down” was widely perceived as a dig at his ongoing legal issues, leaving many in the audience and online uncomfortable.

Rajpal Yadav’s financial troubles trace back to his 2012 film, which failed commercially and led to mounting debt and legal complications. The situation escalated to the point where the actor was briefly incarcerated in Tihar Jail before being granted bail. While he has since returned to work, the case remains ongoing, making the public joke particularly sensitive.

Amid the backlash, Salman Khan stepped forward in support of his industry colleague. Known for standing by fellow artists, Salman emphasized that an individual’s financial setbacks should never overshadow their talent or define their legacy. He highlighted Rajpal Yadav’s decades-long contribution to Indian cinema, reminding audiences that the actor’s body of work spans over 30 years and has brought joy to millions.

Staying true to his style, Salman also addressed the situation with a touch of humor, remarking, “aapko isi rate pe milega,” a line that struck a balance between wit and solidarity, helping diffuse the tension while still making his support clear.

Recently, Rajpal Yadav released a video defending Saurabh Dwivedi, reiterating that things were said in good humour and people shouldn't go out of their way to harass anyone on the internet. 
The incident has since sparked a broader discussion within the entertainment industry and among audiences about the fine line between humor and insensitivity. Many believe that while comedy has its place, personal hardships—especially ongoing legal or financial struggles—should not become the subject of public ridicule.

In an industry built on public perception and resilience, Salman Khan’s gesture serves as a reminder that empathy and respect remain just as important as entertainment.

The first look of Cocktail 2 is finally out—and it promises to be one electrifying summer watch. Starring Shahid Kapoor, Kriti Sanon, and Rashmika Mandanna, the film serves as a sequel to the beloved Cocktail—a movie that has since earned cult status among audiences.

The vibrant first look captures the trio in breezy, beach-ready avatars, exuding effortless charm as they groove to Jab Talak, sung by Arijit Singh and Akasa. With music composed by Pritam and lyrics by Amitabh Bhattacharya, the track is already striking a nostalgic chord. Fans are drawing parallels to the iconic Tumhi Ho Bandhu from the original, hinting that the sequel might just recreate the same magic—only bigger and fresher.

Samay Raina—a name that definitely rings a bell. Hate him or love him, you simply cannot ignore him. And how can you? He’s always making headlines for one reason or another… and guess what? He’s in the news yet again.

After a long hiatus, the comedian returned with a video titled *“Samay Raina: Still Alive”*, which has already crossed 23 million views on YouTube. Here’s everything he had to say.

 

Samay dives deep into the aftermath of the controversy surrounding one of the episodes of his popular show *India’s Got Latent*. The episode featured creators like Ranveer Allahbadia, Apoorva Makhija, and Ashish Chanchlani, and quickly spiralled into a media storm.

 

The backlash began after a comment made by Ranveer Allahbadia went viral and was not received well by audiences. This was followed by a sharp response from Apoorva Makhija after a contestant crossed a line during the show—further fuelling the outrage.

 

In the video, Samay admits he had no idea things would escalate to this extent—so much so

 

that his personal safety would be at risk. At the time, he was touring in the US and was reportedly asked to delete all episodes and return to India immediately. He chose not to, citing the financial implications, saying the losses would have wiped out his life’s savings.

 

For someone known for his stoic and brazen persona, it was unexpectedly moving to see Samay open up about his struggles with anxiety. He revealed that he even experienced an anxiety attack before going on stage, and his therapist advised him against performing, fearing the audience might sense his nervousness.

 

But Samay, in true form, chose to push through.

 

He reflected on his childhood, recalling his time at a posh school in Hyderabad where he was bullied. Despite the pain, he never shared it with his parents, understanding the sacrifices they had made for his education. Drawing from that, he remarked—if he could hide his emotions from his own mother, he could certainly mask them in front of a room full of strangers.

 

He also touched upon a larger issue—how men often struggle to comfort others because they rarely allow themselves to process their own emotions. He linked this to his inability to console Apoorva Makhija when she became emotional on the show, as well as to his father’s calm, almost detached response to the controversy—sending him memes instead of engaging with the gravity of the situation.

 

Samay Raina is no saint—by his own admission and otherwise. But it takes courage to be vulnerable, to acknowledge mistakes, and to keep going when the spotlight is harsher than ever.

 

Because, at the end of the day, as his father told him—*you don’t exist because of the show, the show exists because of you.*

 

And that’s something worth remembering.

 

Come what may… the show must go on.

The world of Indian music fell silent on April 12, 2026, as legendary playback singer Asha Bhosle passed away at the age of 92. With a voice that defined generations and transcended boundaries, her demise marks not just the loss of an artist, but the end of an era in Indian cinema and music

The world of Indian music fell silent on April 12, 2026, as legendary playback singer Asha Bhosle passed away at the age of 92. With a voice that defined generations and transcended boundaries, her demise marks not just the loss of an artist, but the end of an era in Indian cinema and music.

 

Asha Bhosle, whose illustrious career spanned over seven decades, recorded more than 12,000 songs across multiple Indian languages, lending her voice to countless leading ladies of Hindi cinema. Her versatility—effortlessly gliding between cabaret numbers, ghazals, classical melodies, and peppy dance tracks—remains unmatched.

 

Reports suggest that she had been unwell for some time, battling cardiac and pulmonary complications. Her granddaughter had earlier shared updates about her fragile health, requesting privacy for the family during this difficult period.

In 2023, even at the age of 90, she proved her undying passion for music with her concert “ASHA@90”. That same spirit—youthful, passionate, and deeply rooted in music—defined her life.

Music composer Lalit Pandit fondly recalled, “I’ve sung with her since my childhood. She sang in my first film. She was always young at heart, full of passion and expression.” He reminisced about her iconic rendition of “Zara Sa Jhoom Loon Main”, praising the energy and expression she brought to the song.

The music fraternity and film industry came together to pay heartfelt tributes:

• Uttam Singh remembered her warmth beyond music: “She sang ‘Le Gayi’ for me and even cooked for me. Once, she recorded a cabaret song despite not feeling well.”
• Anu Malik, visibly emotional, said, “I feel like I’ve lost my mother all over again. She sang my first song even when she was injured and extremely busy.”
• Kailash Kher shared memories of touring with her: “She was incredibly fun-loving and full of life.”
• Hariharan called her “one of India’s greatest singers,” adding, “She brought happiness to millions. Her humility was something I learned from deeply.” He also recalled collaborating with her on ghazals and duets.
• Udit Narayan described her as a “lioness on the mic”, saying her passing marks “the end of an era.” He fondly remembered singing “Radha Kaise Na Jale” with her.
• Veteran filmmaker Ramesh Sippy reflected on her journey of carving an identity distinct from her sister, Lata Mangeshkar, crediting O. P. Nayyar for guiding her in that direction.
• Composer Daboo Malik highlighted her humility: “Her style was unmatched. She encouraged me when I was starting out and never judged.”
• Anup Jalota poignantly said, “The second pillar of Indian music is gone.” He also recalled her love for cooking, which even inspired her Dubai-based restaurant chain, Asha’s.

Often hailed as one of the most versatile singers in Indian music history, even Lata Mangeshkar once remarked that “there is no one as versatile as Asha.” From sensuous cabaret songs to soul-stirring ghazals, Asha Bhosle redefined what it meant to be a playback singer.

Her ability to make even the most complex compositions sound effortless set her apart—a quality that, as Hariharan noted, is the true mark of greatness.

Asha Bhosle was not just a singer; she was an emotion, a legacy, and a voice that will echo through time. Whether it was her electrifying performances or her warmth as a person, she left an indelible mark on everyone she met and millions who heard her.

As India bids farewell to one of its greatest musical icons, her songs remain—timeless, immortal, and forever etched in the soul of the nation.

 

In a revelation that has sparked curiosity, Yash confirmed that he does not share any scenes with Ranbir Kapoor, who plays Lord Ram, in the first installment.

This creative choice suggests that Part One will focus on building individual character arcs rather than rushing into the central conflict. According to Yash, both Ram and Ravana will be shown ruling their respective kingdoms, setting the stage for their eventual confrontation in the sequel.

 

Directed by Nitesh Tiwari, the film is envisioned as a two-part epic that explores the origins and journeys of its central characters. The first part is expected to cover key events like Ram’s early life, his marriage to Sita, exile, and the circumstances leading to her abduction—laying the groundwork for the ultimate battle.

 

By keeping Ram and Ravana apart in the first film, the makers appear to be adopting a slow-burn storytelling approach, allowing audiences to deeply connect with both protagonists before their inevitable face-off.

When Asha Bhosle Was the First Choice for ‘Ae Mere Watan Ke Logon’—But History Took a Turn”-and other lesser known facts

**1. She faced a difficult and abusive first marriage**

At just 16, she eloped and married Ganpatrao Bhosle, but the relationship turned abusive. She was even asked to leave home while pregnant, after which she rebuilt her life from scratch.

 

**2. Her first big recognition wasn’t for cabaret—but ghazals**

Despite being known for bold cabaret songs, her **first National Award** came for soulful ghazals (like *Umrao Jaan*), surprising many critics.

 

**3. She was supposed to sing “Ae mere watan ke logon”

Initially, Asha Bhosle was the first choice to sing the song, and she had even begun preparations.

However, due to scheduling issues and misunderstandings, she couldn’t go ahead with the performance.Eventually, the song was sung by Lata Mangeshkar, her elder sister.

 

 

**4. She won an award for a song never shown on screen**

One of her Filmfare Awards was for a song that didn’t even appear in the final cut of the film—quite rare in Bollywood history.

 

 

**5. A James Bond film inspired one of her albums**

Unusually, a Hollywood James Bond movie sparked inspiration for one of her musical projects—showing her global artistic curiosity.

 

 

**6. She was deeply involved in cooking—and built a restaurant empire**

Beyond singing, she was a **serious culinary expert** and even ran successful international restaurants,called “Asha’s” , personally curating menus.

 

 

**7. She experimented across unexpected genres**

From **Russian and Malay songs to pop and Western styles**, she recorded in over 20 languages—far beyond typical Bollywood playback singing.

 

 

**8. She tried composing and acting too**

Not just a singer, she also experimented with **music composition and acting**, proving her versatility beyond playback singing.

 

 

**9. She was among the first Indian singers with Grammy recognition**

Long before global collaborations became common, she earned **Grammy nominations**, breaking international barriers for Indian artists.

 

 

**10. She recorded songs at an unbelievable pace**

At her peak, she could record **multiple songs in a single day**, sometimes up to 6–7 tracks—an extraordinary work ethic.

The months of May and June 2026 are shaping up to be exciting for cinema lovers. With a mix of romance, friendship, history, and intense drama, a variety of films are set to hit theatres. From content-driven stories to larger-than-life narratives, the upcoming slate promises something for every kind of audience.

Kicking off the season are romantic and emotional films like *“Hai Jawani Toh Ishq Hona Hai”* ,*“Tera Yaar Hoon Main”* and *“Chand Mera Dil.”* These films are expected to explore love, relationships, and emotional journeys—ranging from light-hearted romance to deeper, more intense storytelling.

 

Meanwhile, *“Ek Din”* appears to revolve around the female protagonist who meets with an accident and suffers from Transient Global Amnesia (TGA), remembering only the male protgaonist, who saved her life.

For those interested in historical drama, *“Raja Shivaji”* stands out as a film centered on bravery and legacy. On the other hand, *“Bandar”* is generating curiosity for its unique and unconventional concept, promising something different from mainstream cinema.

 

June heats things up with *“Main Vaapas Aaunga,”* a film that hints at a love story set during the partition era. With themes of resilience, struggle, and redemption, it is expected to deliver a strong emotional and dramatic impact.

 

For moviegoers, the upcoming two months are packed with options. Whether you're looking for heartfelt romance, meaningful storytelling, or powerful drama, the May–June 2026 releases promise a fulfilling cinematic experience.

One of Bollywood’s most anticipated films, *Love and War*, has finally locked its release date. After months of delays and speculation, Bhansali Productions made the official announcement on April 17 via their Instagram handle. The film is now set to hit theatres on **January 21, 2027**.

Helmed by celebrated filmmaker Sanjay Leela Bhansali, the project is rumored to be a **1960s-set period drama**, blending romance and conflict in the director’s signature grand style.

 

The film brings together a stellar cast featuring Ranbir Kapoor, Alia Bhatt, and Vicky Kaushal. While Kapoor and Bhatt reunite with Bhansali for the second time, this marks Kaushal’s first collaboration with the auteur—adding to the excitement surrounding the project.

 

In an effort to maintain secrecy, sources reveal that **over 500 Non-Disclosure Agreements (NDAs)** have been signed by the film’s crew. This strict measure ensures that no key details—be it scripts, visuals, or plot points—are leaked ahead of release.

 

On the professional front, the lead actors have a packed slate:

 

* Ranbir Kapoor will be seen in *Ramayana: Part One*, slated for a Diwali release this year, followed by its sequel and the much-awaited *Animal Park* next year.

* Alia Bhatt is gearing up for *Alpha* and is also producing the upcoming Amazon Prime Video series *Don’t Be Shy*.

* Vicky Kaushal will next appear in *Mahavatar*, scheduled to release later this year.

 

With a powerful trio, Bhansali’s grand vision, and an aura of secrecy, *Love and War* is already shaping up to be one of the biggest cinematic events of 2027.

Bollywood’s IT couple, Ranveer Singh and Deepika Padukone, have announced that they’re expecting their second child. The couple shared the news on Instagram in the sweetest way—featuring little Dua holding the pregnancy test—keeping it intimate yet joyful.

It’s already been a big year for Ranveer, with back-to-back box office successes. But along with the highs came the usual internet chatter. Recently, Deepika found herself at the receiving end of criticism for not publicly celebrating Ranveer’s success “enough.” Because apparently, in today’s world, love and support only count if they’re posted online.

 

Then came the predictions. An astrologer claimed the couple would separate between June and September this year. Soon after, older posts resurfaced where he positioned himself as someone who had “foreseen” their failed marriage. Now, with the pregnancy announcement, those claims haven’t just aged poorly—they’ve completely unraveled, inviting well-deserved backlash.

 

But this raises bigger questions.

 

Why is it imperative to constantly prove support for your partner on social media? Since when did public validation become the yardstick for private relationships? And more importantly, why are we so consumed by the personal lives of people we don’t know?

 

Whether two people choose to stay together or not is entirely their business. Not everything needs an audience, a comment section, or a verdict.

 

Maybe it’s time we stopped projecting, stopped speculating, and simply let people live their lives.

 

And for now—congratulations to the happy couple.

Bollywood superstar Salman Khan has officially announced his next big project, and it’s already creating massive buzz. The actor will be seen sharing screen space with South superstar Nayanthara in an upcoming film directed by Vamshi Paidipally, best known for Varisu.

Salman revealed the project through a behind-the-scenes glimpse from the film’s mahurat ceremony, confirming that shooting has begun. While key details about the storyline remain under wraps, the actor teased fans with a message asking them to stay patient, saying, “thoda sa sabar.”

 

This film marks the first-ever collaboration between Salman Khan and Nayanthara, bringing together two of the biggest stars from Bollywood and South Indian cinema. The project is being backed by producer Dil Raju and is expected to be mounted on a grand, pan-India scale.

 

Director Vamshi Paidipally, a National Award-winning filmmaker, is making his Bollywood venture with this film, adding further excitement to the collaboration.

 

The makers have already commenced shooting, with visuals from the set surfacing online. The film, tentatively titled SVC63, is slated for a grand Eid 2027 release, continuing Salman Khan’s tradition of festive box office releases

 

The announcement comes at a time when Salman Khan’s previously reported project Maatrubhumi (previously known as Battle of Galwan)  has faced delays, making this new film even more significant for fans. With a fresh pairing, a proven director, and a large-scale production, expectations are sky-high.

 

The much-awaited teaser of Khalnayak Returns has finally dropped, and it promises a powerful comeback for one of Bollywood’s most iconic anti-heroes. Actor Sanjay Dutt reprises his legendary role as Ballu Balram, bringing back the intensity and menace that made the 1993 classic Khalnayak unforgettable.

The teaser showcases Sanjay Dutt in a rugged, battle-worn avatar, exuding a raw and gritty presence. With a hardened expression and an aura of danger, Ballu appears more fearless and intense than ever before.

 

Accompanying the teaser, the makers shared powerful lines hinting at the character’s return: “Some stories never end… they begin again.” This sets the tone for a sequel that aims to carry forward the legacy while offering a darker, modern narrative.

 

The teaser taps into nostalgia with glimpses of the original film’s essence while reimagining Ballu for a new generation. The character, once known for his rebellious charm and iconic dialogue “Nayak nahi, khalnayak hoon main,” returns with a more dangerous and evolved persona.

 

Interestingly, Sanjay Dutt revealed that the idea for Khalnayak Returns originated during his time in jail. He reportedly discussed the concept with fellow inmates, many of whom contributed ideas for the sequel—an unusual yet fascinating origin story for a major Bollywood project.

 

The teaser has already sparked excitement among fans, many of whom are thrilled to see Sanjay Dutt return to one of his most defining roles. Social media is buzzing with anticipation, with audiences eager to witness the revival of this iconic villain on the big screen.

Imagine stepping into the shoes of a man so iconic that every move feels like history in motion—and every gesture carries the weight of a legacy that changed music forever. That’s the challenge *Michael* takes on.

Ever since the film was announced in February 2022, anticipation has been sky-high. With Antoine Fuqua—known for hard-hitting films like *Training Day* and *King Arthur*—at the helm, expectations were never going to be modest. Add to that the casting of Jaafar Jackson in his debut role, and the pressure only intensified.

 

Since its release on the 24th, *Michael* has sparked a wave of reactions. While the film aims to celebrate the life of Michael Jackson, it hasn’t escaped criticism. A major point of contention is its seemingly whitewashed portrayal—sidestepping the controversies that once defined the King of Pop’s public narrative. For many critics, this selective storytelling feels less like tribute and more like omission.

 

Yet, even amidst the debate, one thing is nearly unanimous—Jaafar Jackson delivers. This isn’t mere imitation; it’s transformation. From the voice to the physicality, he doesn’t just play Michael—he channels him.

 

The film may divide opinion, but it undeniably reignites conversation around a legend whose story remains as complex as it is iconic.

In a lively and unfiltered conversation with MYFM’s Ramit Jain, Sonam Bajwa and Paramvir Singh Cheema opened up about their upcoming film *Pitt Siyappa*, the realities that inspired it, and the evolving landscape of Punjabi cinema.

One of the most surprising revelations came from Sonam, who shared that the film’s central concept isn’t fictional at all. The idea of managing funerals for NRIs back in India, she revealed, is a **real and thriving business**, adding a layer of authenticity to *Pitt Siyappa’s* narrative.

Paramvir offered a grounded take on the state of Punjabi cinema. While acknowledging that change is underway, he believes the industry **hasn’t evolved as much as it should have**. According to him, transformation is a two-way street—filmmakers need to push boundaries, but **audience choices also play a crucial role**.

He pointed out that actors like himself are finally getting opportunities, signaling a shift. Yet, many talented performers are still waiting for their breakthrough moment. Recalling a powerful performance by actor Mintu Kapa, Paramvir expressed that such talent deserves far greater recognition.

Sonam didn’t hold back while addressing the industry’s shortcomings. She emphasized that while Punjabi content—especially music—has global appeal, the film industry still lacks **professionalism and consistency**

 

“There’s no shortage of talent,” she noted, “but where we lag is work ethic.” She added that blaming audiences for not turning up to theatres isn’t fair—**disappointment from past content has created that gap**.

 

She also highlighted how Punjabi language and artists are increasingly visible in mainstream projects like *Kohrra*, proving their widespread appeal beyond regional boundaries.

 

Paramvir shared a personal insight into his playlist, revealing his love for Haryanvi music—including the viral track *Splendor*. The moment turned playful as he sang a few lines, with Ramit Jain chiming in about the growing popularity of regional content across platforms.

 

The interview also had its lighter moments. When asked about working together, Sonam playfully deflected the question before praising Paramvir. She revealed she had seen his previous work and believed that **actors don’t necessarily need to be singers in Punjab to succeed**—a refreshing take in an industry often dominated by singer-actors.

 

The conversation took a spirited turn towards cricket, celebrating Punjab’s strong IPL performance. The duo spoke fondly about Shreyas Iyer—affectionately called *“Sarpanch Saab”*—and the immense love he receives from fans.

 

Sonam even joked that he deserves **honorary land in Punjab**, while Ramit added humorously that every water tank in Jalandhar seems to belong to him. Ending on a hopeful note, Sonam expressed confidence that **Punjab could lift the trophy this season**.

 

This candid MYFM interaction wasn’t just about promoting *Pitt Siyappa*—it was a **refreshingly honest reflection on Punjabi cinema’s strengths and struggles**, blended with humor, cultural pride, and optimism for what lies ahead.

 

India’s global superstar Diljit Dosanjh returned to The Tonight Show Starring Jimmy Fallon—and once again, he didn’t just perform, he owned the moment.

The episode kicked off with Jimmy Fallon asking Diljit about his now-iconic sign-off, “Main hoon Punjab.” Diljit explained it’s his personal signature—his way of stamping identity and pride at the end of a performance, much like his infectious catchphrase “Punjabi aa gaye oye!”

Diljit also spoke about his 15th studio album, AURA, which has already crossed a staggering 100 million streams. The name, he revealed, comes straight from his fans—people who often walk up to him after shows and tell him he has an “amazing aura.” Instead of brushing it off, he turned that love into a title.

His Aura World Tour is already making waves globally, with two sold-out shows lined up at Madison Square Garden this May. But perhaps the most emotional moment came when he spoke about his Vancouver concert.

Diljit reflected on the historical weight of the Komagata Maru Incident—a time when Punjabis were denied entry into Canada. Performing in the same city years later felt like a powerful full-circle moment, turning pain into pride on a global stage.

Fallon also highlighted something extraordinary—Diljit is now part of a course being taught in Toronto. For someone who openly shared he never attended college, the moment wasn’t just surreal—it was deeply personal.

The episode wrapped on a high note, with Diljit teaching Fallon some Bhangra moves (and yes, Fallon tried his best ), followed by a vibrant performance of Morni from AURA.

 

From Punjab to prime-time American television, Diljit isn’t just representing culture—he’s redefining global stardom, one “Punjabi aa gaye oye” at a time.

In a major casting update, Rajpal Yadav has joined the upcoming film starring Salman Khan and Nayanthara, directed by Vamshi Paidipally

The development comes at a time when the actor is navigating a ₹9 crore cheque bounce case, making the announcement all the more significant. The yet-untitled film, tentatively referred to as SVC63, is produced by Dil Raju and mounted as a high-scale action entertainer.

Rajpal Yadav will reportedly play Salman Khan’s right-hand man, a crucial supporting character with a strong emotional and comic dynamic. Interestingly, the actor has already begun shooting for the film, even before the initially planned schedule—signalling his quick return to work amid ongoing legal challenges.

This project also marks a reunion between Salman Khan and Rajpal Yadav, who have previously shared screen space in popular films like Mujhse Shaadi Karogi and Partner. Their on-screen chemistry—often driven by humour—is expected to add a fresh layer to this action-driven narrative.

Rajpal Yadav’s inclusion in this high-profile film is more than just a casting update—it’s a reminder of Bollywood’s resilience and camaraderie.

The much-awaited pan-India film Toxic: A Fairy Tale for Grown-Ups, starring Yash, has hit another roadblock. After already missing its earlier release window, the film has now been postponed once again, leaving fans eagerly waiting for a new date.

Originally slated to release on March 19, the film was later shifted to June 4. However, the makers have now decided to push it further, with no confirmed release date yet. Yash himself confirmed the update, stating that the team wants the film to reach its “fullest potential worldwide.”

This marks the second postponement for the film in 2026 alone.

The primary reason behind the delay isn’t production trouble—it’s ambition. The makers are reportedly working on a globally aligned release strategy, ensuring the film gets maximum reach across international markets.

After showcasing the film at CinemaCon, the team received a strong response from global distributors and audiences, prompting them to rethink the release timeline.

Reports also suggest that external factors like international market conditions and conflicts may have influenced the decision to delay the release for better global positioning.

 

Directed by Geetu Mohandas, Toxic is shaping up to be a massive cinematic event. The film features an ensemble cast including Kiara Advani and Huma Qureshi, alongside several prominent names from across industries.

Shot simultaneously in Kannada and English, the film is designed as a global project, further justifying the need for a carefully timed international rollout.

While the delay may test fans’ patience, the makers are confident the wait will be worth it. With production reportedly complete, the focus is now on distribution partnerships and strategic release planning.

For now, all eyes are on the announcement of a new release date—one that promises to match the film’s massive scale and expectations.

Cannes Film Festival 2026 marks a subtle but significant year for India—less spectacle, more substance.

Instead of big premieres, the focus is on independent films and emerging voices. Projects like September 21,,a Hindi-Kannada film exploring Alzheimer’s and caregiving—reflect India’s shift toward intimate, globally resonant storytelling.

Spotlight on Key Selections

Shadows of the Moonless Nights (La Cinef)
Directed by Mehar Malhotra, this 24-minute Punjabi-language film follows a factory worker navigating sleepless nights in the city. Produced at Film and Television Institute of India, it has been selected from nearly 2,750 global submissions and is among just 19 films competing in the prestigious La Cinef section—marking a strong showing for Indian student cinema.

Gudgudi (Marché du Film)
Directed by Manisha K Makwana, Gudgudi will premiere at the Cannes Film Market, where global buyers and distributors scout new content. Its presence under the Marché du Film highlights how Indian films are increasingly entering international acquisition and distribution pipelines.

First Ray Films’ Global Push

At the market, First Ray Films, led by Anshuman Jha, brings a six-film slate—Om Ka Hari, Lakadbaggha 2, Bajrangi, Bhadyaa, But First, The Burning, and Dhoori. The diverse lineup signals India’s growing ambition in global co-productions and genre cinema.

From Shadows of the Moonless Nights to Gudgudi and an ambitious market slate, India at Cannes 2026 proves one thing:
the country’s cinematic voice is evolving—quietly, but powerfully—on the world stage.

In a moment no one saw coming, comedians Samay Raina and Ranveer Allahbadia have reunited on The Great Indian Kapil Show, sending fans into a frenzy online

The unexpected collaboration marks the duo’s first on-screen appearance together since their highly publicized fallout linked to the India’s Got Latent controversy. Their reunion was teased through a promotional clip released by Netflix, instantly sparking buzz across social media.

In the viral promo, Samay is seen announcing his appearance on the show—only to be surprised by Ranveer’s sudden entry. His candid reaction, “No way bro,” perfectly captured what fans were feeling too.

 

The buzz around the episode isn’t just about comedy—it’s about closure. The two creators had been at the center of a major controversy after a controversial remark on Samay’s show led to backlash, FIRs, and widespread debate online.

Since then, both have addressed the situation in different ways, but their joint appearance signals a possible thaw in relations—and perhaps even a fresh start.

Hosted by Kapil Sharma, the episode is being positioned as a special World Laughter Day treat. Packed with humor, roasting, and unexpected moments, it promises a blend of old-school comedy and new-age internet personalities

Kapil himself has described it as a “special episode,” hinting at something beyond the usual laughs.

As soon as the promo dropped, social media exploded with reactions. Fans expressed shock, excitement, and curiosity about how the two would interact after their past differences. Memes, speculation, and anticipation quickly followed, making the episode one of the most talked-about TV moments right now.

After the success of Bhoot Bangla, the iconic duo Akshay Kumar and Priyadarshan are reuniting for not one, but two upcoming projects. Known for delivering cult comedies like Hera Pheri, Bhagam Bhag, and Bhool Bhulaiyaa, the duo is all set to bring back their signature chaos and humor.

According to sources, their first project—reportedly a comedy—will go on floors in January next year. Meanwhile, the team is actively searching for a second male lead to star opposite Akshay in Bhoot Police 2. Producer Ramesh Taurani has confirmed backing both films, making him the common thread between Bhoot Police and its sequel, which earlier starred Saif Ali Khan, Arjun Kapoor, and Jacqueline Fernandez.

Beyond these, Akshay and Priyadarshan are also collaborating on Haiwaan and the much-anticipated Hera Pheri 3—though the latter’s status still remains uncertain.

Looks like fans are in for a double dose of madness and nostalgia!

Fashion’s biggest night is back. The 2026 Met Gala will take place on May 4 at the iconic Metropolitan Museum of Art in New York City, bringing together the world’s most influential names across fashion, film, music, and art.

This year’s theme, “Costume Art,” paired with the dress code “Fashion is Art,” sets the stage for boundary-pushing creativity. As always, interpretation is everything—designers, stylists, and celebrities will translate the theme in wildly different ways, resulting in looks that range from breathtaking to downright bizarre. That unpredictability is exactly what makes the Met Gala so compelling year after year.

More than just a red carpet spectacle, the Met Gala has long served as a powerful platform for expression. Over the years, attendees have used fashion to spotlight issues such as women’s rights, LGBTQIA+ advocacy, ethical taxation, and AIDS awareness—turning couture into conversation.

Adding to the growing global spotlight, last year saw memorable debuts by Diljit Dosanjh and Shah Rukh Khan, both of whom received immense love for bringing Indian representation to the Met steps in their own distinct styles.

India will have a strong presence this year, with names like Karan Johar, Priyanka Chopra Jonas, Alia Bhatt, Manish Malhotra, and Ananya Birla expected to attend—each bringing their own interpretation of the theme to the global stage.

Behind the glamour lies a larger purpose. The Met Gala is a fundraiser for the Costume Institute at the museum, supporting exhibitions and preserving fashion history. And it doesn’t come cheap—individual tickets have reportedly soared to around $75,000, with tables costing significantly more. That said, most celebrities attend as guests of major fashion houses, who purchase tables and dress their chosen stars for the evening.

At the helm, Met Gala chair Anna Wintour returns, joined this year by co-chairs Beyoncé, Nicole Kidman, and Venus Williams—ensuring the night blends star power with cultural influence.

One thing’s certain: expect drama, statement-making fashion, and moments that will dominate timelines long after the last guest leaves the steps.

Joseph Vijay Chandrasekhar, popularly known as “Thalapathy” (commander), began his journey as a child artist before rising to become one of Tamil cinema’s biggest stars. Long before entering politics, his fan clubs were actively involved in social work and grassroots mobilisation—quietly laying the foundation for what would later become a powerful political base

In February 2024, he formally launched his party, Tamilaga Vettri Kazhagam (TVK). What followed has been nothing short of a political storm.

Vijay has rewritten Tamil Nadu’s political playbook with a blockbuster debut. TVK has emerged as a dominant force, breaking decades of DMK–AIADMK dominance and signaling a major shift in the state’s political landscape.

What makes this rise remarkable is that it’s not just about star power. Vijay spent years converting his massive fandom into a disciplined grassroots network—turning admiration into action, and fans into voters.

A major driver behind TVK’s success has been youth support. Gen Z voters connected with his clean image, anti-corruption stance, and promise of change—fueling a wave that traditional parties struggled to counter.

Equally crucial was his bold move to contest solo, positioning himself as a clear alternative to established political forces. This strategy allowed him to tap into strong anti-incumbency sentiment and present a fresh narrative.

The result? A cinematic transformation from superstar to “जननायक”—marking not just an electoral breakthrough, but the beginning of a new political era in Tamil Nadu.

The digital landscape erupted recently following the trailer launch of Pati Patni Aur Woh 2, a sequel that has found itself at the center of a heated cultural debate. Starring Ayushmann Khurrana as a man entangled in a complex "love quadruple" with Sara Ali Khan, Wamiqa Gabbi, and Rakul Preet Singh, the film is being marketed as a lighthearted comedy of errors. However, the immediate backlash from netizens suggests that the audience's appetite for "infidelity humor" is rapidly souring. The primary concern raised by critics is not just the depiction of cheating, but the potential glorification and trivialization of betrayal by masking it with slapstick situations and witty one-liners.

While the genre of the extramarital comedy has existed in Indian cinema since time immemorial, the context in which these films are consumed has changed. For decades, films like Biwi No. 1 or No Entry utilized the "philandering husband" trope as a reliable engine for laughter, usually concluding with a half-hearted apology and a return to the status quo. Today’s audience, however, is far more attuned to the emotional weight of such actions. The backlash against this latest installment highlights a growing discomfort with the idea that systemic deception can be "fun." This is further complicated by the cast’s defense of the project; specifically, Ayushmann Khurrana’s assertion that his character is actually a "green flag" with an intact moral compass has been met with widespread skepticism. Critics argue that attempting to label a character who juggles multiple partners behind their backs as virtuous is a confusing contradiction that further muddies the film's ethical waters.

The debate ultimately touches upon the age-old tension between art as expression and art as influence. While the film industry often maintains that movies are purely for entertainment and should not be viewed as moral textbooks, it is difficult to ignore the cultural footprint of Bollywood. In a society where cinema heavily dictates lifestyle trends and social norms, recurring themes that "cool-ify" or minimize the gravity of cheating can inadvertently shape the perceptions of an impressionable audience. By framing betrayal as a series of wacky mishaps rather than a breach of trust, there is a risk that the medium validates toxic behaviors under the guise of being "modern" or "relatable."

One of Bollywood’s most loved films, 3 Idiots, is finally moving closer to a sequel. According to recent reports, Vicky Kaushal is being considered to play the “fourth idiot” alongside the original trio — Aamir Khan, R. Madhavan and Sharman Joshi.

Reports suggest that the sequel may introduce a fresh new character while continuing the journey of Rancho, Farhan and Raju years after the events of the first film. Vicky’s addition is expected to bring a modern and younger dynamic to the franchise.

While the makers have not officially confirmed the casting yet, the sequel is reportedly being developed under Rajkumar Hirani’s direction once again. Aamir Khan has also hinted that discussions around the project are underway and that the story will be “different and entertaining.”

Ever since the news surfaced, social media has been buzzing with excitement. Fans are already calling it 4 Idiots and are eager to see how the iconic franchise evolves with a new face in the mix.

If confirmed, this could easily become one of the most talked-about Bollywood castings in recent years.

As the countdown to the prestigious Cannes Film Festival begins, excitement is building around the Indian celebrities expected to make a splash on the global stage this year. From Bollywood regulars to regional cinema trailblazers, India is set to present one of its most diverse and dynamic representations at Cannes in recent years.

Among the most anticipated appearances is Aishwarya Rai Bachchan, a long-standing Cannes icon who has graced the red carpet for over two decades through her association with L'Oréal. Joining her once again will be Alia Bhatt, who made a striking Cannes debut last year and is expected to return as one of the newest global faces of the beauty brand.

Actor Tara Sutaria is also expected to make her Cannes debut this year, especially with the buzz surrounding her upcoming film Toxic. Other prominent Bollywood names likely to attend include Karan Johar, Mouni Roy, and Pooja Batra.

India’s official delegation at Cannes will be represented by Ashutosh Gowariker, the newly appointed director of the International Film Festival of India.

Regional cinema, too, is set to shine brightly this year. Punjabi cinema will mark a significant milestone with its maiden presence at Cannes, led by Ammy Virk and Roopi Gill, who will showcase their film Chardikala at the festival.

Marathi cinema will also have a strong cultural presence, with veteran stars Ashok Saraf and Nivedita Saraf attending alongside Prajakta Mali and producer Kedar Joshi. The group is expected to walk the red carpet dressed in traditional Marathi attire, celebrating the richness of regional culture on an international platform.

Gujarati cinema will be represented by actor-producer Mansi Parekh, who will attend with her husband, singer-producer Parthiv Gohil. Meanwhile, Malayalam filmmaker Chidambaram, best known for Manjummel Boys, is set to bring Malayalam cinema into focus as he presents his upcoming film Balan: The Boy at the Cannes market.

From Bollywood glamour to the growing global footprint of regional cinema, India’s presence at Cannes this year promises to be a vibrant celebration of storytelling, culture, and cinematic diversity.

The 2026 Met Gala, held at the Metropolitan Museum of Art in New York, once again proved why it is fashion’s most anticipated night. This year’s theme, “Costume Art” with the dress code “Fashion Is Art,” invited attendees to blur the lines between couture and creativity—treating the human body as a living canvas.

Amid global icons and avant-garde statements, Indian celebrities didn’t just participate—they dominated. With a seamless blend of heritage craftsmanship and experimental silhouettes, India’s presence on the red carpet felt both rooted and revolutionary.

Leading the moment was Isha Ambani, who stunned in a sculptural gold saree by Gaurav Gupta—a striking mix of tradition and modern artistry.The ensemble, which reportedly took over 1,200 hours to create, featured hand-painted fresco motifs and sculptural draping—transforming a traditional silhouette into a piece of wearable art. She elevated the look with over 1,800 carats of gemstones, reinforcing the gala’s theme with unapologetic opulence.

Making a grand debut, Karan Johar channeled regal drama in a Manish Malhotra creation His look, inspired by the works of legendary Indian painter Raja Ravi Varma, paid homage to classical Indian art while embracing high-fashion drama

A Met Gala regular, Natasha Poonawalla delivered her signature experimental look, while Sudha Reddy grabbed attention with a statement necklace paired with traditional craftsmanship.

Diya Mehta Jatia added a contemporary twist to Indian textiles, showcasing the country’s rich artisanal heritage. Her ensemble featured a Kanjeevaram sari base layered with intricate shola work—bridging regional craftsmanship with global couture aesthetics

The 2026 edition highlighted a broader shift—India is no longer a peripheral presence at the Met Gala. Names like Mona Patel, Ananya Birla, and even Indian royalty such as Gauravi Kumari and Sawai Padmanabh Singh added diversity and depth to the country’s representation.

The takeaway? India didn’t just attend the Met Gala—it shaped the conversation, proving its growing influence on the global fashion stage.

Daadi Ki Shaadi beautifully reminds us of something we often forget in the rush of life — expressing love to our parents matters just as much as feeling it. How often do we truly spend time with our mothers? When was the last time we sat with them for an entire day? The film gently wraps this emotional message inside a light-hearted family entertainer filled with humour, chaos, and warmth.

The story introduces us to Tony Kalra, played by Kapil Sharma, a man eagerly waiting to get married. His roka is fixed with Kanika, portrayed by Sadia Khateeb — a girl from his college who barely knew he existed. However, the celebration takes an unexpected turn when Kanika’s dadi announces on social media that she herself is about to get married. What follows is a hilarious chain of misunderstandings, emotional moments, and family drama that ultimately reflects a deeper reality of modern society — our inability to give enough time and attention to our parents and grandparents.

Neetu Kapoor delivers a wonderfully believable performance as Dadi and fits the role effortlessly. Kapil Sharma is in his element, bringing natural humour and charm to Tony. Yograj Singh adds the perfect punch as Tony’s grandfather with his sharp dialogue delivery. Sadia Khateeb feels refreshingly natural on screen, while Riddhima Kapoor Sahni makes a confident and decent debut.

The real scene-stealers, however, are Nag and Jeevan, played brilliantly by Jitender Hooda and Deepak Dutta. Their comic timing, witty one-liners, and effortless chemistry bring some of the film’s funniest moments. R. Sarathkumar leaves a strong impression with his commanding screen presence. Adding to the film’s charm is the beautiful backdrop of Shimla, which feels refreshing and visually soothing throughout.

Overall, Daadi Ki Shaadi is an entertaining family drama packed with comedy, emotions, and a heartfelt message. It may not reinvent the genre, but it succeeds in making you laugh, smile, and reflect. A good one-time watch with your family.

Rating: 3.5/5

Filmmaker Anurag Kashyap has criticized India’s growing obsession with the Cannes Film Festival red carpet, saying the real focus should be on cinema and storytelling rather than glamour. Speaking from Cannes 2026, Kashyap said many people in India only care about celebrity appearances and fashion, while ignoring film screenings, networking, and artistic discussions that define the festival.

He also revealed why he was not seen on the opening day, explaining that he entered quietly “from the side” instead of making a grand red carpet appearance. Kashyap further claimed that many Indian producers miss international opportunities because they fail to properly understand or approach global film festivals.

His remarks have sparked conversations about whether India values the artistic importance of Cannes as much as its celebrity glamour.

MY FM is all set to bring an inspiring new show for its listeners with the launch of The Power Chapter with Raj Shamani, starting from May 18. The show promises to deliver meaningful conversations, powerful life lessons, and inspiring success stories through engaging discussions hosted by entrepreneur and content creator Raj Shamani.

Known for his motivational talks, business insights, and impactful podcast conversations, Raj Shamani has become one of India’s most influential youth icons. With The Power Chapter, listeners can expect thought-provoking discussions around entrepreneurship, self-growth, leadership, success, and real-life experiences that connect with today’s generation.

The campaign tagline, “Conversation That Matters!”, perfectly captures the essence of the show. The initiative aims to go beyond entertainment and create a platform where ideas, ambition, and inspiration take center stage. Backed by MY FM’s strong regional connect and Raj Shamani’s massive youth appeal, the show is expected to resonate strongly with young professionals, entrepreneurs, and aspiring changemakers.

With a stylish and energetic promotional campaign already creating buzz online, excitement around the launch is steadily building. Starting May 18, listeners can tune in to MY FM to catch exclusive conversations, inspiring stories, and powerful insights with Raj Shamani in a brand-new format designed to inform, motivate, and engage audiences across the country.

Ram Charan’s upcoming film Peddi has already created massive buzz with its rustic backdrop, intense action, and emotionally charged storytelling. But what has made the film even more special for fans is the revelation that the story is inspired by a real-life daily wage labourer whose extraordinary sporting talent became the talk of his village.

Directed by Buchi Babu Sana and starring Ram Charan alongside Janhvi Kapoor, the sports drama is not just another larger-than-life entertainer. According to the filmmaker, the character of Peddi was inspired by a young man named Peddi Raju from his native village. The man reportedly worked at construction sites as a daily wage labourer while also possessing incredible talent in sports like cricket and basketball.

Buchi Babu Sana revealed in interviews that Peddi Raju was known locally for his ability to dominate games almost single-handedly. Villagers admired his sporting abilities so much that they would sometimes ask him to skip work and participate in matches instead. He was even paid money by local teams because of his match-winning talent. The director shared that every time he saw the youngster, he felt there was a powerful cinematic story waiting to be told.

While the real Peddi Raju excelled in cricket and basketball, the film adapts the character into a wrestler, adding a more dramatic and emotional sports backdrop. The trailer of the film showcases Ram Charan in a fierce and rugged avatar, portraying a fearless village hero fighting against challenges both inside and outside the wrestling arena.

Speaking about the film at the trailer launch, Ram Charan described Peddi as one of the most inspiring journeys of his career. The actor underwent intense physical transformation and rigorous training for the role, even suffering injuries during action sequences and wrestling scenes. He said the emotional depth of the story and the identity of the character made the project deeply personal for him.

The film also stars Boman Irani, Divyenndu,Shiva Rajkumar, and Jagapathi Babu in important roles, with music composed by legendary composer A. R. Rahman. The movie is scheduled for a theatrical release on June 4, 2026.

What makes Peddi stand out is its rooted realism. At a time when larger-than-life cinema dominates the screen, the film appears to celebrate the spirit of ordinary people who possess extraordinary dreams. Through the journey of a labourer-turned-sports hero, the makers aim to tell a story of resilience, struggle, and hope — a tribute to countless unsung heroes living in India’s villages.

During his conversation with journalist Ashish Tiwari from Dainik Bhaskar, Ram Charan spoke warmly about visiting Bhopal for the promotions of Peddi. Calling Bhopal “the heart of India,” the actor said it was an honour to bring the film to the city and be part of such a massive event. The grand promotional event for Peddi will take place at BHEL Maidan in Bhopal on May 23 at 5 PM, where fans are expected to gather in huge numbers to welcome the superstar.

He also highlighted the deep passion people in Bhopal have for sports, saying the spirit and energy of the city perfectly resonate with the film’s theme.

With Peddi already generating tremendous excitement across the country, Ram Charan’s heartfelt words about Bhopal have added even more anticipation to the event. As fans gear up to witness the superstar live at BHEL Maidan, the city is set to become the centre of celebration for one of the year’s most awaited films.

Anurag Kashyap has never been a filmmaker who shies away from uncomfortable subjects, and the trailer of Bandar proves exactly that. Starring Bobby Deol as a washed-up rockstar accused of rape, the film immediately grabs attention with its dark atmosphere, unsettling imagery, and emotionally volatile storytelling. The trailer feels raw, chaotic and intense — the kind of cinema Kashyap has built his reputation on over the years with films like Dev.D and many others

At first glance, Bandar appears to be a gripping psychological drama about fame, masculinity and the collapse of public image. Bobby Deol’s transformation into a fading celebrity trapped inside scandal looks deeply committed, and visually, the film carries the gritty realism that Anurag Kashyap is known for. The trailer alone is enough to generate curiosity

However, the film has already sparked criticism from festival circles and early viewers, particularly after its screenings abroad. A major point of backlash has been the way the subject of sexual assault is handled. Several critics felt the film tries too hard to blur the moral line around rape allegations and eventually shifts sympathy toward the accused rather than the victim. One detailed review from TIFF pointed out that the film’s final messaging around “false rape cases” felt irresponsible and tonally dangerous, especially in a country where survivors already struggle to be believed.

And honestly, that concern cannot be dismissed lightly.

India already suffers from a culture where every conversation around violence against women is immediately derailed by “what about fake cases?” arguments. While false accusations do exist, statistically and socially they are nowhere near the scale of the horrifying number of rapes, assaults and harassment cases women continue to face every day. Yet the narrative of “men are the real victims” is repeatedly amplified online to silence survivors and create suspicion around every woman who speaks up.

The worry with Bandar is not that it discusses false cases at all — difficult conversations should happen. The worry is whether the film understands the social climate in which it exists. Because when audiences already use “fake rape case” as a weapon to dismiss women, a film that appears to validate that paranoia can end up doing more harm than good.

That said, trailers can sometimes be misleading, and the final film may offer more nuance than what is currently visible. But the criticism coming out of festival screenings suggests that this debate is unlikely to go away anytime soon. One thing is certain: Bandar may become one of the most talked-about and divisive Indian films of the year.

 

The cast and crew of Main Vaapas Aaunga — director Imtiaz Ali along with actors Sharvari and Vedang Raina — recently came together for an emotional and deeply reflective conversation about love, heartbreak, Partition, and memory while promoting the film.

During the interview, Imtiaz Ali described the film’s emotional landscape with a striking line:
“A city looks most beautiful in the light of a burning bridge.”

The filmmaker explained that themes of separation and return have always stayed close to him because Partition is an experience deeply connected to people around him. Recalling a moving anecdote, he shared that someone who had lost his memory once asked, “Why is the Wagah border shut?” — having forgotten that a border existed in the first place.

When asked why so many of his stories revolve around people returning, Imtiaz said the feeling of longing and belonging naturally finds its way into his narratives.

Vedang Raina revealed that being a Kashmiri Pandit allowed him to emotionally connect with the story’s sense of displacement. Calling the film a “unique opportunity,” he expressed gratitude to Imtiaz Ali for trusting him with the project.

Sharvari, meanwhile, described love as the core value of the film. When the trio was asked whether they believed in love at first sight, Imtiaz offered a philosophical answer:
“Love can have any definition. It can happen once, at first sight… it’s like how people talk about God — He exists if you believe in Him.”

The title Main Vaapas Aaunga itself emerged from a powerful moment during filming. Imtiaz revealed that when Vedang passionately screamed the line “Main Vaapas Aaunga” during a scene, he instantly realized that it captured the soul of the story and deserved to be the film’s title.

The conversation also turned deeply personal when the actors were asked about heartbreak. Vedang admitted he has experienced it, saying heartbreak becomes “a major milestone” in life.
“It shapes you forever… and also traumatises you,” he said candidly.

Sharvari spoke about the purity she associates with love.
“When you give someone your word, that means something,” she said, adding that she believes relationships never truly end.

Imtiaz Ali seems to have found his way back to the kind of deeply emotional storytelling that made audiences fall in love with films like Rockstar and Tamasha. The trailer of Main Vaapas Aaunga feels poetic, nostalgic and heartbreakingly tender, weaving together themes of love, memory, Partition and longing across generations.

During the interview, Imtiaz Ali described the film’s emotional landscape with a striking line:
“A city looks most beautiful in the light of a burning bridge.”

The filmmaker explained that themes of separation and return have always stayed close to him because Partition is an experience deeply connected to people around him. Recalling a moving anecdote, he shared that someone who had lost his memory once asked, “Why is the Wagah border shut?” — having forgotten that a border existed in the first place.

When asked why so many of his stories revolve around people returning, Imtiaz said the feeling of longing and belonging naturally finds its way into his narratives.

Vedang Raina revealed that being a Kashmiri Pandit allowed him to emotionally connect with the story’s sense of displacement. Calling the film a “unique opportunity,” he expressed gratitude to Imtiaz Ali for trusting him with the project.

Sharvari, meanwhile, described love as the core value of the film. When the trio was asked whether they believed in love at first sight, Imtiaz offered a philosophical answer:
“Love can have any definition. It can happen once, at first sight… it’s like how people talk about God — He exists if you believe in Him.”

The title Main Vaapas Aaunga itself emerged from a powerful moment during filming. Imtiaz revealed that when Vedang passionately screamed the line “Main Vaapas Aaunga” during a scene, he instantly realized that it captured the soul of the story and deserved to be the film’s title.

The conversation also turned deeply personal when the actors were asked about heartbreak. Vedang admitted he has experienced it, saying heartbreak becomes “a major milestone” in life.
“It shapes you forever… and also traumatises you,” he said candidly.

Sharvari spoke about the purity she associates with love.
“When you give someone your word, that means something,” she said, adding that she believes relationships never truly end.

The actors also shared memories from the making of the film. Their first recce trip with Imtiaz Ali was filled with fun and bonding, while Vedang joked that the experience made him realize “actors are useless” compared to the countless people working tirelessly behind the scenes.

Both actors loved shooting in Punjab, where the production even brought in a locomotive from Rewari that had existed during the Partition era, adding authenticity and emotional weight to the film’s atmosphere.

Speaking about Sharvari’s character, Imtiaz described her as a mystery.
“She’s like a flower with bees constantly buzzing around it. Everyone is trying to reach her because she remains an enigma,” he said.

The film’s music also received praise during the interaction, especially the collaboration between A. R. Rahman and Imtiaz Ali. Sharvari admitted she was extremely nervous before shooting her very first scene in the film because she had previously watched Imtiaz’s theatre plays and admired his craft deeply.

Towards the end of the conversation, Imtiaz also spoke warmly about Diljit Dosanjh, calling him “a lovely and pure person.”

Veteran actor Jackie Shroff and three-time National Award-winning director Manish Saini sat down with journalist Ashish Tiwari of Dainik Bhaskar to discuss their latest release The Great Grand Superhero. The conversation moved beyond the film, touching on life lessons, humility, parenting, positivity, and why Jackie continues to resonate with younger generations.

When Ashish asked Jackie how he still remains so popular among Gen Z audiences, the actor laughed and admitted that he honestly doesn’t know. Swearing on his mother, Jackie said the secret might simply be to “blend with them and live like them.” According to him, energy is an exchange — “give energy, take energy.” He added that grandparents should spend more time living with their grandchildren because there is always something new to learn from them.

 

Director Manish Saini described Jackie as someone with an incredibly positive aura, calling him “a perfect character.” He revealed that Jackie constantly added his own personal inputs to the role and behaved like a child around the young actors on set. “He would fight with the kids over chocolates,” Manish joked, adding that none of the children ever felt intimidated speaking to him. Despite his stardom, Jackie remained deeply disciplined and even drove himself to the set every day.

 

Speaking about how he has managed to keep his inner child alive, Jackie reflected on a deeply personal memory. He shared that when he was just ten years old, he witnessed the death of his brother, an experience that made him understand “the game of life” very early. Since then, he has believed in making the best use of one’s time on Earth and remembering that nobody is immortal. “So chill,” he said with a smile.

 

Ashish pointed out that the same humility and dedication are visible in Jackie’s children, Tiger Shroff and Krishna Shroff. Manish added that Jackie’s character in The Great Grand Superhero constantly seeks approval from children because he simply wants them to like him and stay around him. He referenced a line from the film — “Mujhe shabashi bohut achchi lagti hai” — saying that despite its simplicity, it reflects the emotional truth of so many people.

 

When the film was compared to Marvel-style storytelling, Manish said he enjoyed writing something completely different. He thanked the producers for taking a creative risk on such a unique subject. According to him, the film is about how “our inner light can shine on darkness,” especially in a post-COVID world. He emphasized that he consciously tries not to follow trends.

 

Asked whether he expects a fourth National Award for the film, Manish smiled and simply said, “Fingers crossed.”

 

Jackie admitted that he personally relates to the character he plays in the film. Ashish also noted how Jackie’s interviews frequently go viral because of his honesty and charm. On the topic of superheroes, Jackie joked that if he ever created his own “super-universe,” actor Danny Denzongpa would definitely be a part of it.

 

The actor also spoke passionately about environmental causes, saying he strongly believes in planting trees and living peacefully without troubling others. Recalling Tiger Shroff’s childhood, Jackie shared how he realised his son’s talent very early on. He once gifted Tiger a skateboard, which the young actor learned to ride within a single day. That moment convinced Jackie that Tiger was naturally gifted in sports and physical activity.

 

Wrapping up the conversation, Manish said The Great Grand Superhero is a film meant for everyone. He observed that while television screens have become bigger over the years, the number of people truly watching together has reduced. He hopes the film will bring audiences together again and “put a smile on people’s faces.”

In an insightful conversation with Ashish Tiwari from Dainik Bhaskar, Ram Charan spoke at length about his upcoming film Peddi, calling it one of the most sincere and emotionally rooted stories of his career.

Describing Peddi as a film that represents “1.8 billion Indians,” the actor said the story deeply resonated with him because of its connection to rural India and forgotten communities. According to him, the film follows the journey of a young man trying to find his own identity while also fighting for recognition for his people.

“Many people still live in villages that are not even on the map of India,” Ram said, adding that Peddi is ultimately about a boy who rises from his village and gives his entire community an identity.

During the interaction, Ashish Tiwari pointed out the intense physical dedication visible in Ram Charan’s performance, especially despite the actor dealing with an arm injury. Responding to this, Ram admitted that the role came with enormous responsibility, especially after receiving praise from his father, megastar Chiranjeevi.

“These kinds of roles come once in a lifetime,” he said, adding that the appreciation from his father means even more because Chiranjeevi is “very honest” with feedback and constantly emphasizes discipline and hard work.

The actor also credited Aamir Khan and Salman Khan for paving the way for stories rooted in Indian soil and culture. Speaking about the film’s wrestling backdrop, Ram Charan called kushti an emotionally charged sport worshipped across the heartland of India.

“Kushti is extremely tiring,” he admitted, while praising both the Khans for their commitment to physically demanding cinema.

Known for performing his own action sequences, Ram said he continues doing stunts because his fans enjoy watching him that way — something he also inherited from Chiranjeevi.

Interestingly, the actor revealed that despite the physically exhausting nature of the film, he “never felt tired even once” because the story itself kept inspiring him throughout the shoot.

Speaking about co-star Janhvi Kapoor, Ram Charan called her “one of the most sincere and hardworking people” he has worked with and praised the values she has been raised with.

The conversation also touched upon Ram Charan’s deeply spiritual side. The actor said he respects every religion and believes faith brings discipline and balance to life. Referring to his own name, he shared that “Ram Charan” itself gives him a special emotional connection with Hanuman.

Talking about his personal life, Ram revealed that his wife Upasana Kamineni Konidela often calls him a disciplinarian because of how strictly he follows his routine and diet. Even when he feels like cheating on his diet, he avoids doing so — something he credits to the values instilled in him by Chiranjeevi.

Despite being one of India’s biggest stars today, Ram Charan insisted that superstardom does not excite him as much as the process of working every single day. According to him, maintaining balance, spending time with family and going to sleep peacefully matter more than box office numbers or results.

Reflecting on his career, the actor called Magadheera and Rangasthalam the biggest turning points of his journey.

However, one statement that stood out the most during the interview was his firm stance on politics.

“I will never join politics,” Ram Charan stated clearly, adding that he wants to become “No.1 in the entertainment industry” and does not believe it is possible to balance “two boats at the same time.”